Tuesday, December 29, 2009

Great Expectations

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Hi there fellow reformers!

To wish you a happy new year I present you with the Miles Davis tune Great Expectations to put extra emphasis on the importance of always looking forward! This one was also recorded by Reform 2 in 2001. Anders plays the drums and Isak is on percussion.


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As A&R I have published a lost treasure which is now available on Spotify namely Klara Express' recording from Decibel Studio in 1975. It is great!!!

Take care!
Jesper

Thursday, December 24, 2009

What If

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Merry Christmas and a Happy New Year!

Enjoy this recording of Miles Davis' tune What If! Reform 2 2001.


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Live well!
Jesper

Sunday, December 20, 2009

Rated X

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Hi everyone!

The mix of the Uncle Urri Suite is progressing, which is very good. What I mean to say is that the music is the most important thing. The more I work on the Urri Suite the more I appreciate Uncut & Lo-Fi. It so raw, honest and energetic. The Urri Suite will be great, that's not the problem. the problem is that I want it finished now and this time everything needs a bit of work because of the way it was recorded.

About another recording: Rated X, a Miles Davis tune that we recorded in 2000. It is an 18 min. psychedelic journey. The line-up is Reform 2:

Jesper Bergman: Electric bass
Johan Glasson: Electric guitar
Anders Bergman: Percussion
Mattias Lennestig: Rhodes
Reine Fiske: Electric guitar
Alexander Wiig: Percussion, Sitar
Isak Andersson: Drums


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Enjoy!
Jesper

Wednesday, December 16, 2009

"Red Light, Green Light, Go" by Brett Perkins (Pop Artist from Denmark)

"Red Light, Green Light, Go" by Brett Perkins is an inspirational, easy listening Pop album. Each track delivers real instrumental, non-synthesized music with accurately harmonizing vocals. Greatly inspired by the work of The Beatles, "Red Light, Green Light, Go" does an exceptional job of combining the melodies of 60's pop with modern Americana guitars. The track "Figure It Out" has a perky, upbeat tempo and the chorus is probably the catchiest one of the entire album. The instrumentation on the track "I Won't Give Up On Love" matches the artist voice perfectly. Staying in the tenor range with a female vocalist accompanying him, this song is intricate in lyrics and musicianship. The Beatles have inspired many a great artist since the launch of their career and "Red Light, Green Light, Go" by Brett Perkins is a shining example of that.

-Trent C. and the RadioIndy.com Reviewer Team
Check out Brett Perkins 's music on RadioIndy.com with link to purchase and links to popular sites

The SAE recording and Grateful Dead

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Hi there reformers!

Yesterday I went to SAE to get all the files from the recording session. I had brought my hard drive, that I had previously used for file transfer from and to Mac. Of course it did not work this time and finally everything was burnt onto a dvd. Well at home I uploaded everything to my computer and started mixing. There was a lot to do, but finally it was listenable and I must say that I am extremely satisfied. It did not sound at all as I felt when recording! An anecdote about Jerry Garcia on this theme:

When selecting tracks for the album Europe '72 Grateful Dead selected tracks from a concert that Jerry Garcia had been extremely dissatisfied with just after the performance. He had been so annoyed about how bad the concert had turned out that he pushed Phil Lesh down a staircase upon leaving the stage. Anyway, some tracks on the mentioned album are from this particular concert! It is incredible!

What this anecdote means to be, no matter whether it's true or, is that you have to get some distance between you and the recording, concert or whatever in order to get a perspective.

Enjoy this clip with the Grateful Dead performing China Cat Sunflower from Copenhagen '72. They are LOOOOOOOOOOOOOOSE!!!



Live well!
Jesper

Saturday, December 12, 2009

Some new Wasa Express and new video by Blomqvist

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Hello everyone!

I am currently awaiting some raw material from the SAE session. I have decided that it would be nice to make a mix and see how it differs from the one I will receive from SAE.

Wasa Express' concert from Jarlateatern is now available on Spotify

Also new is that Blomqvist has recorded a new video that you can watch on their Myspace.

Take care!
Jesper

Saturday, December 5, 2009

Reform's recording session

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Today we had a recording session at SAE. We were very excited and had great expectations. We arrived at studio 2 which had quite a small recording room, but a big control room with a huge mixer. We set up the drums and then we waited for almost two hours while everything was rigged. They used 14 (!!) mikes on the drums, two channels for each guitar, two for the bass and two for the keyboard. After that we had to check everything which took about an hour more and after that we had to try out the sound in our headphones. The last phase took quite a while since there was some trouble getting the guitar and bass volumes up. After that it was finally time to play.

I have recorded a great many times in different studios and in my opinion it is a lot different recording jazz in a digital studio in comparison with a an analogue one. Why? The majority of the studio engineers want to record with the highest in-level possible. In a digital studio you have to be very careful with the peaks and in an analogue studio you don't have to because the only thing that happens if the signal peaks is that there will be some band compression. When you record jazz you want to be able to alter your volume. Another matter is that about recording with headphones to be able to separate everything when you mix; you do not want leakage. But when you play jazz, or any kind of improvisational music, the most important thing is to feel comfortable when you record otherwise you won't be able to be creative. And when you play jazz you seldom think of overdubbing, substituting or erasing. Every time you play the tune it comes out differently.

We recorded our last studio album analogically on tape in a great studio called Real Music Studio. It is run by a guy called Per who knows his studio extremely well. There we recorded an entire album on a weekend, mixing included. There were four mikes on the drums, one each on guitars, bass and keyboard. We used no headphones, we had a great laughable atmosphere and since we were so comfortable playing there everybody played extremely well.

I don't know why but I always get the feeling that a computer is not a genuine "music machine" and that slows the process down and changes the focus from the music to the technology.

Anyway, at SAE they really have everything and the engineers really know their gadgets! Let's see about the result!

Regards
Jesper

Friday, December 4, 2009

MICHAEL BEHM "It's My Time"

MICHAEL BEHM
“It’s My Time”

With “It’s My Time,” prolific Canadian songsmith Michael Behm has crafted another winner. Rich in melody and possessing lyrics filled with universal resonance, it’s a song that belongs on CHR / Hot AC radio and in the hearts of its listeners.

Behm has earned a rapidly growing international following with his eloquent solo compositions, but “It’s My Time” marks a new foray into co-writing. The song is the shining outcome of a highly creative collaboration with legendary Canadian songwriter Ron Irving.

The track will be features on the 2009 season of American Idol exposing Behm to millions of listener’s worldwide.

“It’s My Time” takes the listener on a voyage of emotional discovery when the singer finds he is now on the “big stage” and as Behm says, “The crowd is going wild!” The track features Behm’s expressive and honest vocals and guitar work. This is complemented by the superb accompaniment of A-list player’s drummer Randall Stoll (Tom Cochrane), bassist Scott Macleod (Platters) Steve Morris (Ian Gillan Band). Recording of the track took place at both Bryan Adam’s Warehouse Studios and Behm’s Vancouver Island studio. The track was mixed by Behm’s long time partner Delwyn Brooks, (INXS, Coverdale / Jimmy Page) with mastering by Brian Gardner at Bernie Grundman, Katy Perry, Linkin Park.

The result is another Behm classic, one that belongs on your AAA play list.
For more information, contact michaelbehmmusic.com

Thursday, December 3, 2009

"World Domination" by Fatal Smile (Hard Rock Artist from Sweden)

Fatal Smile's latest album goes by the title of "World Domination." It is a continuation of this Swedish hard rocker's tradition of in-your-face music; and is mixed by Michael Wagener, who has worked with the likes of Metallica, Ozzy Osbourne, and Mötley Crüe. In "No Tomorrow" Fatal Smile starts off slowly, building a gritty-momentum, before detonating into guitar-led mayhem. "S.o.b." is a song in which the tempo always stays high, with chunking guitars and chorus lyrics that are simply aimed at getting one pumped up. For "Eve of War" they supply more of a toe-tapping beat, still replete with the screeching guitars, but with more of a focus on methodically grooving alongside the intensity. "World Domination" is an album made fully in the Metal/Hard Rock mentality. If you are a fan of music like that of Metallica or Whitesnake, then this album, "World Domination" by Fatal Smile might be right up your alley.

-Sean B. and the RadioIndy.com Reviewer Team
Check out FATAL SMILE's music on RadioIndy.com with link to purchase and links to popular sites

Monday, November 30, 2009

"A Journey Through Middle-Earth" by Ad Dios (Ambient Artist from Sweden)

Inspired by J.R.R. Tolkien's Lord of the Rings series, "A Journey Through Middle-Earth," the new CD by Ad Dios, is a terrific diversion into musical fantasy. Combining basic acoustic instruments with trippy electronic notes, this album takes the listener's mind out of the box at an easy tempo. Named after the setting of the Lord of the Rings saga, the opening track, "Middle-Earth," sets the stage with looming melodies, coupled with bongos and chimes progressing from soft to powerful. Toward the end, the track "Rohan" invests the listener with the feelings of LOTR's main human character (Rohan) with electronic, regal-sounding trumpets and a steady bass line. If you're one that loves easy listening, then this is most definitely a CD for you. Just turn it on and let Ad Dios do the rest.

-Trent C. and the RadioIndy.com Reviewer Team
Check out Ad Dios's music on RadioIndy.com with link to purchase and links to popular sites

Sunday, November 29, 2009

Uncut & Lo-Fi is on Spotify

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Greetings!

Yesterday we had a fantastic rehearsal with Jonte, who was a great guy and guitarist. The first tune we played was Uncle Urri immediately followed by Uncle Urri II, in which Jonte made a wonderful guitar solo. The riff, that is played in unison with guitar and keyboard, which was originally played by Johan was now taken over by Peter. Peter was in a great mood and also made a perfect guitar solo on Uncle Urri II. Therefore we decided to give Peter's solo in Urri I to Magnus and let Peter have a solo in Urri II instead. Alvaro will take one of the solos in Urri II. I am looking forward to Saturday's recording session!
After this we played the rest of our tunes and Jonte played great!

Uncut & Lo-Fi is now on Spotify!

http://open.spotify.com/album/6deYR2NYAMwCGmoLIfkzwP

Wasa Express goes to Hollywood is also on Spotify!

http://open.spotify.com/album/1F1m888LfyZA13F9EGBUUb

Enjoy!
Jesper

Thursday, November 26, 2009

Tax Vobiscum by Magnus Ramel

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Hi there!

For the concert at Kolingen Magnus wrote a song that he calls Tax Vobiscum. It was the second time we played it. The first time was at the rehearsal the day before the gig. Great song! I like it when everybody contributes. Here it is:



Saturday the first rehearsal with Jonte will take placed. I am really looking forward to that!!!

Enjoy!
Jesper

Sunday, November 22, 2009

Lion Bar from kolingen and Wasa Express on Spotify

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Hi everyone!

To finish off this weekend I give you Lion Bar from Kolingen. A softer version if you compare with the one from Uncut & Lo-Fi.



Psychedelic Jazz Trance and OS 2032 by Wasa Express are now on Spotify. Enjoy these great albums! Contact me if you are interested in signing up with Record Union!

Live well!
Jesper

Saturday, November 21, 2009

Spooky from Kolingen

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Enjoy another clip from Kolingen! This time it is Spooky, a tune composed by Johan Klaeson and I, originally from Reduced & Maximized. Towards the end of the song a spontaneous percussion solo emerges. Bill found a snare drum backstage and joined Anders and Åke.



Take care!
Jesper

Thursday, November 19, 2009

Uncle Urri I & II from Kolingen

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Here is another tune from Kolingen. In fact, it consists of two tunes: Uncle Urri from Reformed and Uncle Urri II. It was Peter's idea two make a medley and I thought it was a very good idea and so (as I've already told you), on December 5 we will record this medley at SAE with engineer Mats Wergelius. Enjoy!



Have a nice evening!
Jesper

Tuesday, November 17, 2009

Jonte joins Reform. Unmajor from Kolingen

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Hi everyone!

I hope you liked Amanita Muscaria from Kolingen. Now enjoy the next tune. This one was written by Peter, Anders and I and it is called Unmajor.



I talked to Jonatan "Jonte" Hansson who has accepted to take Johan Klaeson's place as guitarist. He will make his debut on December 5 on the SAE recording session. We are going to meet before that and do a jam session. I am looking forward to that.

Check back for more videos!

Take care!
Jesper

Monday, November 16, 2009

Review of Uncut & Lo-Fi, some Wasa and more Kolingen

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Hi there!

Yesterday a review of Uncut & Lo-Fi was published by RadioIndy.


CD Reviews
Sunday, November 15, 2009
"uncut & lo-fi" by Reform (Jazz Artist from Sweden)

"uncut & lo-fi" is the 5th and latest release from the Swedish group of 9 musicians known as Reform. They have been described as "Swedish psychedelic jazz-rock for the open minded." But what this album really sounds like is excited instrumental psychedelic garage-rock that takes cues from jazz in its improvisation and sense of order. The opener, "Lion Bar," is a wild track with boisterous and echo-laced drums, plus a plethora of instruments and sounds that makes for an energetic clamor skillfully placed somewhere between music and noise. In "Uncle Urri 2" they slow things down with a more reserved blues beat overlaid with soulful, yet highly spacey, harmonica and guitar playing. For "Spooky" they give us a song that sounds like a blend of jazz and jam-band styled rock, recorded loudly in their unique "lo-fi" manner. If you are a fan of experimental instrumental music, or intrigued by garage-rock that dares to employ the methods of jazz jams, then Reform's CD, "uncut & lo-fi," is an album you would certainly be interested in hearing.

-Sean B. and the RadioIndy.com Reviewer Team


You can buy the cd at CDBABY:

Reform: uncut & lo-fi


Yesterday Susanne, Peter and I went to see Wasa Express perform at Stampen. It was great! They played two brand new tunes. One was called Harry Schein's Impossible Mission and the other one I can't remember the name of. It is nice to hear new tunes and not only New Tuna. I was the guest bassist on one tune from their latest album, OS 2032, called Ett Brev (A Letter). On the original they play over a recording of Nils Ferlin's voice from 1944 reciting a poem called Ett Brev. Per Bruun, the bass player, recited and therefore I played bass. It was great playing with them!

Photobucket
On stage with Wasa Express

Photobucket
Wasa in action

Photobucket
Per "Cussion" Tjernberg joined Wasa for this concert

This is the second clip from the concert at Kolingen on November 9. This time it is Amanita Muscaria. Enjoy!



Take care!
Jesper

Sunday, November 15, 2009

"uncut & lo-fi" by Reform (Jazz Artist from Sweden)

"uncut & lo-fi" is the 5th and latest release from the Swedish group of 9 musicians known as Reform. They have been described as "Swedish psychedelic jazz-rock for the open minded." But what this album really sounds like is excited instrumental psychedelic garage-rock that takes cues from jazz in its improvisation and sense of order. The opener, "Lion Bar," is a wild track with boisterous and echo-laced drums, plus a plethora of instruments and sounds that makes for an energetic clamor skillfully placed somewhere between music and noise. In "Uncle Urri 2" they slow things down with a more reserved blues beat overlaid with soulful, yet highly spacey, harmonica and guitar playing. For "Spooky" they give us a song that sounds like a blend of jazz and jam-band styled rock, recorded loudly in their unique "lo-fi" manner. If you are a fan of experimental instrumental music, or intrigued by garage-rock that dares to employ the methods of jazz jams, then Reform's CD, "uncut & lo-fi," is an album you would certainly be interested in hearing.

-Sean B. and the RadioIndy.com Reviewer Team
Check out Reform 's music on RadioIndy.com with link to purchase and links to popular sites

Saturday, November 14, 2009

"uncut & lo-fi" by Reform (Jazz Artist from Sweden)

"uncut & lo-fi" is the 5th and latest release from the Swedish group of 9 musicians known as Reform. They have been described as "Swedish psychedelic jazz-rock for the open minded." But what this album really sounds like is excited instrumental psychedelic garage-rock that takes cues from jazz in its improvisation and sense of order. The opener, "Lion Bar," is a wild track with boisterous and echo-laced drums, plus a plethora of instruments and sounds that makes for an energetic clamor skillfully placed somewhere between music and noise. In "Uncle Urri 2" they slow things down with a more reserved blues beat overlaid with soulful, yet highly spacey, harmonica and guitar playing. For "Spooky" they give us a song that sounds like a blend of jazz and jam-band styled rock, recorded loudly in their unique "lo-fi" manner. If you are a fan of experimental instrumental music, or intrigued by garage-rock that dares to employ the methods of jazz jams, then Reform's CD, "uncut & lo-fi," is an album you would certainly be interested in hearing.

-Sean B. and the RadioIndy.com Reviewer Team
Check out Reform 's music on RadioIndy.com with link to purchase and links to popular sites

Happy Landing from Kolingen and SAE

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Still very happy about the GrIndie award I have edited some music from the last concert at Kolingen on the 9th of November. I will present the whole concert during the following week.

The line-up is:

Jesper Bergman: Electric bass
Anders Bergman: Drums, percussion
Åke Eriksson: Drums, percussion
Peter Åkerberg: Electric guitar
Johan Klaeson: Electric guitar
Magnus Ramel: Keyboards
Bill Öhrström: Harmonica

I will start this session with a number from Reformed called Happy Landing. A song inspired by the life and times of social science teacher at Saltsjöbadens Samskola, Henrik Landing.



The recording session at SAE has changed from the 12th of December to the 5th of December. A medley consisting of Uncle Urri I and II will be recorded. Technician is Mats Wergelius, a long time friend, collaborator and bass teacher.

Take care!
Jesper

Wednesday, November 11, 2009

Reform is Presented with a GrIndie Award for the cd Reformed

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Hi there everyone!

Telia is giving me problems with my internet at home, because of that I have not written for a while.

A report:

The concert at Kolingen went great! Bill Öhrström made a fantastic first performance with us. We worked our way up to the peak of psychedelic jazz trance and ended up in Prana and in Nirvana. I am now editing the recording and the video and will make it available to you as soon as possible.

Yesterday Reform received a GrIndie award for Reformed by RadioIndy. It feels great and we humbly accept it!

Check back for music and videos!

Jesper

Thursday, November 5, 2009

New Releases, the Concert and Uncut & Lo-Fi

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Hi everyone!

Alvaro Fernandez Gaviria's enchanting music is now available at Spotify along with the second album by Pitchblack-ltd titled Pitchblack-ltd. Check them both out they are great.

Pitchblack-ltd

pitchblack-ltd

Banda Sonora

banda sonora alvaro fernandez gaviria

I have received the privilege to publish three Wasa Express albums as A&R for Record Union. They will be up as soon as possible. The three albums are:

Psychedelic Jazztrance (2004)
Wasa Express Goes to Hollywood (2006)
OS 2032 (2009)

Uncut & Lo-fi is entering store after store on the net. It's, among other places, available at iTunes and Deezer

Don't forget the Reform concert on Monday!

Photobucket

Take care and enjoy good music!
Jesper

Sunday, November 1, 2009

Original Member Leaves Reform, and Uncut & Lo-Fi is Available from CDBABY

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Hi all you Reformers!

Reform has been offered a recording session at SAE on December 12.

I am thinking of two possible tunes to record:

1. Unmajor
2. Uncle Urri II

Tell me if you have an opinion: info@reform-music.com

Long time collaborator, friend and fellow musician Johan Klaeson/Glasson will be leaving Reform after the gig on the 9th. Since is is one of the original members he has helped creating the sound that defines Reform. For some time back Johan has had a project together with Alexander Wiig, from the second line-up of Reform. I am really looking forward to hear some of it. I am sure it is great! I will keep you informed since I will follow their project with genuine interest. Good luck to them!!!

If you have an opinion about the choice of guitarist, just mail me: info@reform-music.com. I have some guitarist in mind myself. I won't tell you who they are yet.

Uncut & Lo-Fi is now available from CDBABY both physically and digitally.

Reform: uncut & lo-fi


Talk to you soon!
Jesper

Saturday, October 31, 2009

"Modern Day Tragedy" New sonic high water mark!

"Modern Day Tragedy" New sonic high water mark!
As I was into the last hours of a mix that started last Friday I did not know if this track was crap or not. I finished it last night at midnight I was all alone. I thought about all the many people who have made this track what it has become and was grateful.
The song has come a long way from writing it with Ralph Murphy at my dinner table with an acoustic guitar. To tracking the drums with Randal Stoll and my production team at the Warehouse with my long-time friend and partner Delwyn Brooks, an amazing talent! The song took me back to my studio, recording bass and keyboards with John Dryden and Andrew Lorimer. Finally the string arrangement by Christian Howes was done at Berklee.
We removed, edited and revised the arrangement to stay on point. “It’s all about the little girl”
Delwyn returned to mix the track with me for a few two days sessions.
Here I am sending it to you all I have to say is “I can stand behind it and now own it”
M

Saturday, October 24, 2009

Slow and Deezer

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Everything is a bit slow right now. Record Union has a temporary backlog with Spotify which means that it will take a while before Uncut & Lo-Fi will be up. To register at Record Union I also need the ISRC numbers that CDBABY will give to me within 5-7 days.

The gig is approaching and that is good news. You can buy our discs there.

Photobucket

I found that all my signed artists:

Blomqvist
Alvaro Fernández Gaviria
Pitchblack-Ltd
Tee Bee and the Pingus
Ulf Henningsson

are available for streaming at the fantastic French site Deezer! Check it out!

Take care!
Jesper

Sunday, October 18, 2009

Check out Home Groan, one of RadioIndy's favorite Rock artists

Radioindy Artist Spotlight for Martin Hagfors/Home Groan

View Martin Hagfors/Home Groan Image

 

 




Band Name: Martin Hagfors/Home Groan
Band Location: Norway
Sounds Like: Tom Petty
Visit Band's Website: click here

Uncut & Lo-Fi, Jack Bruce, distributors and Backstage

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I am working on the digital release of Uncut & Lo-Fi. It will soon be up on various sites.

http://www.tescodigital.com/Store/Music/Re-Form/Albums/Reduced--Maximized/2:31442949/
http://teemix.aufeminin.com/w/musique/d126082-reform-discographie.html
http://www.7digital.com/artists/reform/
http://www.musicstore.cti.com.ar/artista.aspx?ID=168081&T=0
http://www.mercadodamusica.com.br/gravadora.aspx?id=52423

Soon there will be some stuff from the Backstage Festival 2009 up!

Enjoy a clip with Jack Bruce and Mick Taylor playing a Tony Williams tune:



Take care!
Jesper

Thursday, October 15, 2009

Why Uncut & Lo-Fi?

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That is a question that I can answer.

We are living in the age of hi-tech. All music has to be digitally this and that. I am reading Chuck Berry's biography for the moment and I get inspired by the focus on the actual music and not on the equipment. We have had some concerts this year and musically I have been very satisfied. They have been recorded with camera and a portable recording device that Åke has. These two sources have been blended into one. Honesty is one of the leading terms for Reform. Because of this I thought that it would be a waste not to publish the tracks although they were very lo-fi. The music is good so why should the sound quality be that important? What we want to hear anyway is a group that has a sound within itself and that delivers well played music. When you first turn the album on you may react to the quality, but give it a chance and you will get used to it. The levels between instruments may be a bit strange but that is because Åke's device was placed near the drums and that the camera is moving constantly.

Well, I hope you settle with this explanation.

Now, go to Record Heaven's site and order your copy of Uncut & Lo-Fi.

Regards
Jesper

Wednesday, October 14, 2009

MICHAEL BEHM New Single "It's My Time"

MICHAEL BEHM
“It’s My Time”

With “It’s My Time,” prolific Canadian songsmith Michael Behm has crafted another winner. Rich in melody and possessing lyrics filled with universal resonance, it’s a song that belongs on Hot AC radio and in the hearts of its listeners.

Behm has earned a rapidly growing international following with his eloquent solo compositions, but “It’s My Time” marks a new foray into co-writing. The song is the shining outcome of a highly creative collaboration with legendary Canadian songwriter Ron Irving.

Behm had been working on an earlier version of the track, but Irving’s subsequent input in terms of the lyrics and arrangement proved invaluable. “The song went through a positive change, and I’m thrilled with the results,” says Behm. “I put the track out to my network of people around the world and the response has been overwhelming.”

The track will be features on the 2009 season of American Idol exposing Behm to millions of listener’s worldwide.

“It’s My Time” takes the listener on a voyage of emotional discovery when the singer finds he is now on the big stage and as Behm says, “The crowd is going wild!” The track features Behm’s expressive and honest vocals and guitar work. This is complemented by the superb accompaniment of A-list player’s drummer Randall Stoll (Tom Cochrane), bassist Scott Macleod (Platters) Steve Morris (Ian Gillan Band). Recording of the track took place at both Bryan Adam’s Warehouse Studios and Behm’s Vancouver Island studio. The track was mixed by Behm’s long time partner Delwyn Brooks, (INXS, Coverdale / Jimmy Page) with mastering by Brian Gardner at Bernie Grundman, Katy Perry, Linkin Park.

The result is another pop gem, one that belongs on your AAA play list.

For more information, contact michaelbehmmusic.com

Sunday, October 11, 2009

RadioIndy is pleased to present Soznak with a GrIndie Award for the CD "Dear Dad Tango"

RadioIndy is pleased to present Soznak with a GrIndie Award for the CD "Dear Dad Tango"

Soznak, a group comprised of multi-ethnic musicians, has released a charming collection of music filled with originality on their latest album "Dear Dad Tango." This group offers a wide assortment of musical instruments ranging from accordion to African drums. The chemistry between the musicians is felt throughout this disc with their high-spirited energy. Feel the horn section on "Tata Y Mama" as the rhythm is bouncy with harmonious lyrics. "Cooking in the Kitchen" is a formula for good music and food while the vocals and wind section take this number up a notch. The title track "Dear Dad Tango" features lyrics that are strong and emotional, while simultaneously describing sentimental values of the loss of a loved one. For listeners who would like to hear a mixture of different types of instruments infused with catchy beats, Soznak's "Dear Dad Tango" is well worth listening to and should definitely be checked out.

-Diane and the RadioIndy.com Reviewer Team
Check out Soznak 's music on RadioIndy.com with link to purchase and links to popular sites

RadioIndy is pleased to present Triflemore with a GrIndie Award for the CD "Words From Notes"

RadioIndy is pleased to present Triflemore with a GrIndie Award for the CD "Words From Notes"

Triflemore blends the guitar and voice into one beautiful sound on their latest disc, "Words From Notes." The talented duo is comprised of singer Susan Rhea, who hails from small-town America, and guitarist Owen Goudie from the Shetland Islands. Together, their collaborative talents combine to produce a touching CD, filled with throwback sounds of folk singers from the late 1960's. Rhea's voice is reminiscent of Joni Mitchell in all the best ways imaginable. Her voice is wonderful to hear and her eloquent tones can be heard on songs like "Goudfield" and "Perfect." Not to go unnoticed, Goudie's finger style guitar work is also exceptional in its own right. You can tell he has crafted his melodies around Rhea's vocals and intertwines them so one does not overshadow the other. A highlight of his playing can be heard on "Signal." "Words From Notes" is a perfect fit for any Joni Mitchell or Emmylou Harris fan and could very well be used to paint the soundtrack of all of our lives.

-Shaun H. and the Radioindy.com Reviewer Team
Check out Triflemore 's music on RadioIndy.com with link to purchase and links to popular sites

RadioIndy is pleased to present Finlay Morton with a GrIndie Award for the CD "Back to Basics 2009 Remix"

RadioIndy is pleased to present Finlay Morton with a GrIndie Award for the CD "Back to Basics 2009 Remix"

Finlay Morton takes a crop of classic rock influences and fuses them together with some country, resulting in a fine album called "Back to Basics 2009 Remix." Morton's songwriting is very similar to that of Tom Petty, with Americana flowing throughout the album and the sound of an organ whirling about. This influence is most evident on songs like "Hang On To Your Dreams" and "My Friend". The best attribute about Morton is his silky rock voice, emulating the more recent vocal tones of Pink Floyd's Roger Waters. Give "Scary Monsters" a good listen and you will hear those vocal tones similar to Waters'. There is also some nice country lap steel work on the song "Back To The Start". If you own Petty's "Wild Flowers" album or anything put out recently by Neil Young, you will love Finlay Morton's "Back to Basics 2009 Remix."

-Shaun H. and the radioindy.com reviewer team
Check out Finlay Morton 's music on RadioIndy.com with link to purchase and links to popular sites

A taste of Uncut & Lo-Fi

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Hi everyone!

If you want a preview of the album Uncut & Lo-Fi you are welcome to visit Reform at Last.fm

Enjoy Miles from Japan in 1973



Have a nice evening!
Jesper

Saturday, October 10, 2009

Uncut & Lo-Fi has finally arrived

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The album Uncut & Lo-Fi is finally here and will soon be available to buy both physically and digitally.

If you want to buy our albums at the same time as you see us in action you are welcome to our concert in Engelens cellar called Kolingen on November 9. Bill Öhrström will play the harmonica.

Photobucket

Fore!
Jesper

Thursday, October 8, 2009

"Kärlekssånger I" by Göran Engdahl (Folk/Blues Artist from Sweden)

Göran Engdahl serves up some generous helpings of acoustic Folk/Blues on his latest album "Kärlekssånger I." As an accomplished classical guitarist, Engdahl brings to life his expressive songs of love with sweet and emotive tenderness. Although this CD is not sung with English words, you will still feel the relaxed and ambient feelings Engdahl offers. His vocals delight the listener with soft and delicate tonality while at times his vocal range reaches deep down to a lower register as you will hear on "Livets lycka med varann" and "Varhelst du går, din bild jag får." The vibrant and melodic melody of "Bit för bit" presents a wonderful acoustic guitar deftly fingering its way across the fret board. The clever electric guitar riffs on "Tröst i mitt hjärta" complement the upbeat and energetic vocals. If you're looking for some fresh new acoustic folk music featuring some finger-picked guitar, then check out the album "Kärlekssånger I."

-Diane and the RadioIndy.com Reviewer Team
Check out Göran Engdahl 's music on RadioIndy.com with link to purchase and links to popular sites

Sunday, October 4, 2009

A look into Uncut & Lo-Fi

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The new record Uncut & Lo-Fi will arrive on either Tuesday or Wednesday. The cd consists of seven tracks:

1. Lion Bar
2. Spooky
3. Thru Breaks
4. Uncle Urri II
5. Unmajor
6. Amanita Muscaria
7. Hellstone

Spooky comes originally from the album Reduced & Maximized, which is a trio album, from 2004 and is here heard for the first time with the seven piece with Åke on drums. Spooky was written by Johan Klaeson and I and it is very intense in this new version.

Uncle Urri II was written by Alvaro and I in September this year just before the last concert at Stockholm Fusion Club. It came about when Alvaro was trying to get some inspiration for the soundtrack to the movie he is working on for the moment. I appreciate Steve Reich a lot and I am especially fascinated by his phases. So I showed him a piano phase and Alvaro immediately took to it. He played a simple phrase to make a phase out of and I thought it sounded beautifully. That piano line became the core of Uncle Urri II. A beautiful piece here with Anders on drums.

Unmajor came about on the 24th of January 2009 during a jam session with Anders, Peter and I. Anders came up with a groove, Peter with a melody and I with a bassline. Then it was ready. The only thing we changed during the rehearsals for the STFC gig was the meter during the improvisational part. Now it goes 8+4+4 bars.

Here follows the original recording from the jam session with Peter, Anders and I for you who missed it last time I published it.


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It feels great to know that the new album will be out in the stores soon! But beware all you Hi-Fi nerds. This one is really Uncut & Lo-Fi.

Here follows the clip that inspired Uncle Urri II. Don't be impatient! See it all through, it is definitely worth a moment of your time!



Take care and talk to you soon!
Jesper

Monday, September 28, 2009

Club SPHM

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Today Susanne sent uncut & lo-fi to the factory. It will be finished in about a week. I talked to Bill Öhrström today and he seems like a nice guy and keen on playing. I sent him a copy of Reformed with all the keys for the harmonicas. Everything then seems to be ready for the concert!

Photobucket

Tonight I also bring you a concert from Underbara Bar. Alvaro had the opportunity to join us. Though he was a bit dissatisfied with his sound and volume afterwards. And yes, the harmonica is a bit too low on volume. Anyway it is what it is. With this kind of music one may never know what will happen! That's the way we like it!!!


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Take care!
Jesper

Sunday, September 27, 2009

My new @myspace.com email address



Hey, I have a new email address:

radioindymusic@myspace.com

Drop me a line!
-Radioindy Gold Artist Music!

uncut & lo-fi Ready for the Factory

Reform at Myspace
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Visit A&R Jesper Bergman and receive 2 barcodes (UPC) for free!

Everything is ready for the release of "uncut & lo-fi". I am very satisfied. I have had a lot of help with photos and recording from my girlfriend Susanne. Thank you! You are the best! Peter Åkerberg is a photoshop magician with great taste in graphical design. The cover expresses what is on the record, lo-fi(ness). Tomorrow all the material will be sent away to the factory.

While awaiting the record enjoy the a concert from Stampen:

Pedro Martinez is playing the percussion on Amanita Muscaria and Thru breaks. He happened to be there and of course I asked him to join in.


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Take care!
Jesper