I hope you are looking forward to the concert at Regent Pub.
It will be a great evening!
On February 28 is the Berglund, Kullhammar & Bergman Trio doing its first gig at Stampen/Stockholm Fusion Club. There are some new tunes on the way!
Here follows the 4th song performed by Carl-Eiwar Sect. It is a song by the Cambodian group Thra Ka Band. There are very few traces of the group and their members. They were probably executed by the followers of the Communist Party of Kampuchea, Khmer Rouge, when it became the totalitarian ruling party in 1975. But the tapes were saved and stored till present day! Listen to the original further down!
"Silent Words" by the highly talented artist Thomas Frykberg is an easy listening and elevating Jazz crossover album. Frykberg takes an open-ended approach on the genre with various melodic melodies and the experimentation of different types of percussion to accompany the traditional drum set. "Doniazade" is a very exotic and quintessential jazz track as it employs an interesting melody on the saxophone combined with other inspired timbres and chimes. This track also shows the artist's ability to adapt to changing and various styles all the while keeping it fresh and innovating. Another song, "Celebration Nr 2," is extremely interesting in that the track is played in a classic Jazz style as the sax deftly plays the melody while the subtle African style percussive beats play with fascinating tonality. Frykberg is superb as he incorporates the genre of smooth Jazz with many colorful flavors and textures and the listener is able to get a musical taste of the international world through this album. If you like Jazz music with smooth and relaxed vibes, then "Silent Words" is an album you will thoroughly enjoy.
RadioIndy is pleased to present Love Revue with a GrIndie Award for the CD "Love Revue "
Smart and catchy pop/rock with decidedly Power Pop leanings is the order of the day on the very fine new self-titled CD from Love Revue. Boasting a post-Beatles-inspired sense of melody and pop precision, Love Revue's irresistible hooks have an altogether classic feel despite the contemporary production values that make this 11-song collection a natural for multiple radio formats. CD opener, "Cooking for One," a low-key gem built on a piano and acoustic guitar backing, sets the bar pretty high for the rest of the disc as it recalls the charms of Badfinger at that classic band's best. "Looking for the One" and "Soothe My Soul" more than ably demonstrate Love Revue's rocking side, while "Strip Me" and "Release" is love ballads of the first order. With the triumphant song "Get Along," Love Revue really proves its mettle with a spirited ELO-influenced creation tailor-made for summer radio and summer fun. Love Revue's CD impresses as an album that succeeds on its own merits: a collection of pure pop songs that will sound as good on the car radio as they will at home.
RadioIndy is pleased to present Dark Patrick with a GrIndie Award for the CD "Fáinne Gael an Lae "
"Fainne Gael An Lae" by Dark Patrick marks a unique musical journey through numerous native styles. Employing the use of traditional woodwinds, Patrick embodies powerful emotions in these beautifully constructed compositions. "King of the Fairies" brings to mind vivid imagery of majestic and magical landscapes, demonstrating the ability of these songs to effortlessly conjure comforting imagery in the minds of listeners. Moreover, beautiful and resonating vocal performances in numerous languages displayed in songs like "Eamonn an Chnoic" and "Koladka" bring this collection to life. Throughout each song, Dark Patrick emanates an uncanny ability to divulge memorable and well-produced epic compositions. This CD will be fully embraced by fans of world music.
On Sunday the 17th of this month we had the first rehearsal with Bill Öhrström singing 60s soul. It was great and the performance on 17th of February will be great I'm sure. Bill really knows his genre and he guided us through the repertoire like a captain steering his ship. We rehearsed eight songs.
I will now present you with the last and 4th song that we recorded in Jannes basement on January 4. The song is called Strange Train and is written by Thomas Berglund. It fades after about three and a half minute because a string broke on the guitar and then it got out of tune. We spare you that part!
This time I also present you with the 3rd song performed by Carl-Eiwar Sect at the Backstage Festival in August 2009, Voice From The Inner Soul by Confusions from India.
You are welcome to read about the song and Confusions here.
RadioIndy is pleased to present Reform with a GrIndie Award for the CD "Reformed "
Equal parts jazz and instrumental psychedelic / progressive rock, Reform's debut CD, "Reformed," charts a middle ground that ably fuses classic styles and influences - with an unusual twist. With a stellar 6-piece ensemble behind him, harmonica player Àlvaro Fernandez Gavíria's full, lower-octave playing serves as a primary lead instrument for much of the album. With studied restraint, Gaviria's tone – which recalls that of accomplished blues harp-stylist, Corky Siegel, approaches his instrument like a fusion-oriented Miles Davis, drawing out found harmonics within the framework of the band's rich and melodic songscapes. Guitarists Johan Glasson and Peter Åkerberg create the underpinning for Reform's – at times, Steely Dan-like jazz-rock sound, while drummers Anders Bergman and Åke Eriksson provide the forward thrust, effectively filling passages with deft and meticulous hits and textures. Not to go unmentioned, bassist Jesper Bergman and keyboard player, Magnus Ramel's contributions are no less vital - and noteworthy, to Reform's decidedly adventurous leanings. Regardless of whether it's fusion jazz or spacey art rock, Reform's CD is a terrific set of original music by unique players with unbounded skills.
Restaurang Lilla Wien on Swedenborgsgatan 20 on May 14 and 15.
Maybe there is a new concept at hands. Bill Öhrström, who played with us at Kolingen, is a great singer and has a special place in his heart for 60s soul music. At Regent Pub Reform will accompany him during the first set and then there will be psychedelic jazz rock in the second. If it works well we will do the same thing at Restaurang Lilla Wien.
We will perform under the name Reform & Soul Tribute. I am really looking forward to it!!!
Here is yet another track from the jam session att Janne Kulhammar on January 4th. This one is written by Thomas Berglund and is called Ica Store. I don't really know why, but maybe he likes to do his shopping there. Since it's a great tune he must like it! Anyway, I really like the tempo changes during the solo! Nice energy!
The second tune from the session in Janne's basement is mixed. The tune is called Rawfusion and is written by me. Everything glued and I'm very satisfied with the result. It was recorded the second time we played it! So was the tune (Downhill) I presented you with yesterday.
Yesterday me and Thomas, the guitarist of Wasa Express, was over at Janne Kullhammar for some jamming. I had written two tunes and Thomas too. I had brought my recording equipment and today I have mixed the first tune for you to like or dislike. It all went very smoothly. The tunes were presented and we just played and jammed. It was a great feeling, very spontaneous. Just the way I like it!
The first tune is called Downhill and is written by me.
I also present you with a video of the second tune that Carl-Eiwar Sect played at the Backstage festival:
For Your Information: Cedars (Lebanon)
Yes a Lebanese psyche group! Cool! Read more about the Cedars and listen to the original under the video clip.
"Formed in Beirut, Lebanon, around 1964, they were originally known as the Top 5. By 1966 they’d become the Sea-ders with Albert Haddad on lead guitar, Joe Shehadeh on rhythm, Raymond Azoury on bass and Zad Tarmush on drums; all four band members sang. Their first 45, “Thanks A Lot” b/w “Better Loved,” was released in Lebanon in 1966 on the Symbol label. The A-side in particular was really strong, propelled by Haddad’s spellbinding double-picked Eastern motif and Azoury’s unusual pulsating bassline. It quickly became a smash hit in Lebanon, selling around 10,000 copies and topping the charts. Shortly afterwards, Decca Records made contact with the group and offered them a record deal in the UK. The group relocated to London, and in 1967 Decca released “Thanks A Lot” b/w “Undecidedly” as their first British single. The flipside was another excellent Middle Eastern flavored beat number, which had been recorded in Lebanon at the same session as the A-side. The record got some airplay on the pirate stations, but failed to break into the charts.
Nevertheless, Decca went ahead with an EP release, featuring the three previously released tracks along with the fine “Cause I Do Care.” Apparently the record had a very limited pressing as it’s now very rare.
By 1968 the Sea-ders had become the Cedars. Their next single paired two of their strongest original songs to date, “For Your Information” and “Hide If You Want to Hide.” For the recording session the group was teamed with producer Tony Clarke, who also worked with the Tremeloes. This time they employed an authentic Middle Eastern instrument, a bouzouki. Played in tandem with an electric lead guitar, the acoustic bouzouki gave the record a highly unique and appealing flavor. Unfortunately, despite the high quality and originality of both the material and the production, the record again went nowhere.
Much to the group’s disappointment, their producer turned to outside songwriters for their third and final British single, “I Like the Way” (written by Richie Cordell) and “I Don’t Know Why.” Nevertheless the Cedars infused the songs with their own Eastern-derived sound to pleasing effect. When this single failed to click, Decca not only dropped the group, but also presented them with a huge bill for studio time. Defeated and nearly destitute, the four Cedars headed home to Beirut, leaving their prized musical equipment behind.
The story didn’t end there, though—not quite anyway. The following year, 1969, “For Your Information” was released in Turkey, where it became a huge hit, going on to be covered by several Turkish artists. The Cedars, though, had by now gone their separate ways. Fortunately, their eight-song recorded legacy remains to remind the world of their uniquely exotic sound. Thanks a lot for that.
Greetings to everyone with hopings for a great new year!
Hope you all had a perfect New Year's Eve!
I have started editing the Carl-Eiwar Sect gig from the Backstage Festival where we performed only Asian psychedelia. The set list was the following:
Istemem: Erkin Koray (Turkey) For Your Information: Cedars (Lebanon) Voice From the Inner Soul: Confusions (India) Crazy Loving You: Thra Ka Band (Cambodia) Love For Sale: Eddie Pelegrina & the Blinkers (Philippines) Hanashitakunai: Youngers (Japan) Magic Colours: Teddy Robin & The Playboys (Hong Kong)
The line-up is:
Uffe Henningsson: Guitar and vox Jesper Bergman: Bass and backup vox Magnus "Bjurre" Bjurén: Drums
I will start off this suite with Istemem by Erkin Koray from Turkey. He had the reputation that he was Turkey's Jimi Hendrix.
I have been in contact with Burak who runs the Erkin Koray tribute Myspace page and is a friend of Erkin Koray. He sent me this translation of Istemem.
İSTEMEM (I DONT WANT) -------------------
- sensiz gelecek zevkin ne tadı var? what is the pleasure in a joy that comes without you? (nothing gives me pleasure when you are not with me)
- istemem istemem istemem.... i dont want... i dont want... i dont want... (any pleasure if it comes without you)
- yetişir bana sevgin.. your love reaches me (your love is enough for me)
- başka bahar istemem... (i dont want any other spring)
- gönlümün sevgisinden (from the love of my heart) - duydum aşkı sesinden (i heard the love from your voice) - yüzümde nefesinden başka rüzgar istemem (i dont want any other wind than your breath on my face)
Burak also pointed out something quite funny with how it sounds when Uffe sings the lyrics. Since we don't speak Turkish and can't hardly read it either Uffe had to copy the text from Erkin Koray's recording phonetically. This time the fault turned out well:
in your version of istemem i noticed something very fun...
erkin koray says:
yüzümde nefesinden... başka rüzgar istemem....
yüzümde nefesinden 'başka rüzgar istemem' = 'i dont want any other wind' than your breath on my face
but in your version you say (it clearly sounds like:)
başka "işgal" istemem.... which means: i dont want any other occupation...
(* işgal = (like military) occupation. but yours would be "i dont want any other occupation in my heart"..
